By Maaike Bleeker
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Personal Cultural Memory in the Digital Age (Stanford University Press, 2007). 44 ANATOMY LIVE Notes 1 2 3 4 5 6 7 8 9 10 11 12 13 For a detailed explanation of the transformation of an anatomical body into a ‘body of knowledge’, see Sawday, 1995, chapter 1. Dissections, as part of medical education, were conducted as early as the fourteenth century, but it took until the sixteenth century before medical praxis was actually based on empirical anatomical findings – knowledge that was subsequently recorded in medical atlases.
14). Tulp’s dissection has commenced not with an evisceration of the prone to putrefaction intestines, but with the thief ’s offending hand. ‘Now’, writes Sebald, this hand is most peculiar. It is not only grotesquely out of proportion compared with the hand closer to us, but it is anatomically also the wrong way round: the exposed tendons, which ought to be those of the left palm, given the position of the thumb, are in fact those of the back of the right hand (…) we are faced with a transposition taken from the anatomical at- 50 ANATOMY LIVE las, evidently without further reflection, that turns this otherwise true-tolife painting (if one may so express it) into a crass misrepresentation at the exact centre point of its meaning, where the incisions are made.
The high entertainment value of Body Voyage is undoubtedly due to its spectacular presentation and dramatic plotting: the recompiled data set of the Visible Male is presented as the lugubrious ‘inside experience’ of a dead criminal’s body. The only explanations we get from scrolling through the disk are juicy details about Jernigan’s background and criminal past. We learn how he was sentenced to death after robbing and killing a 75-year-old man, and that he never showed any remorse for his cold-blooded crime.
Anatomy live : performance and the operating theatre by Maaike Bleeker